A Historical and Hysterical Guide to the Orchestra
A curious customer walks into a shop where the sounds of an orchestra are playing. Upon finally getting the shopkeeper’s attention, the customer asks:
- “I would love to be part of an orchestra.”
- “You’ve come to the right place.”
- “Which instrument would you like to play?”
- “Which one do you recommend?”
- “Ah, well, for that we have to go back to the beginning!”
- “Back to the beginning of the orchestra?”
- “No, back to the beginning of everything!
And so the Shopkeeper begins his fascinating guide to each and every instrument of the orchestra from its invention to its inclusion in the symphony. Along this time travelling journey, as each instrument is unveiled, we also discover about its historical context. Did you know that flutes used to be made of mammoth bone and vulture wings? Or that timpani used to be played on horses? And is it a coincidence that cellos were made fatter than violins just around the same time as chocolate was brought over to Europe from Mexico?
Packed with original music to showcase each instrument, well-researched historical facts, and the trademark goofiness of Igudesman & Joo, audiences and listeners of all ages will feel inspired to discover more about the orchestra.
The piece was commissioned and given its world premiere by the Tonhalle-Orchester Zürich for their 150thAnniversary Celebration Concert.
What others say
Sunday Business Post, Ireland
“What makes the slapstick duo so original is not that they turn classical music culture upside-down and inside out, but that they never mess with the music itself, treating that with not just respect, but with astonishing virtuosity.”
“I had the time of my life when I first saw them live in action, and felt honored to put in a cameo in some of their nutty skits! Take the opportunity to get a taste of their over brimming musical imagination!”
“Hearing and seeing Igudesman and Joo performing live is experiencing pure musicianship, wonderful acting, sophistication and a terrific sense of humor. Their lack of pretentiousness and the joy of their music-making offer an irresistible invitation into the world of classical music. I can’t wait to bring them back!”