Violin Virtuoso vs Piano Virtuoso
We live in a world where millions of people will walk passed a concert hall and only a fraction will step inside. Interestingly, thousands will gather at Wrestlemania. Igudesman & Joo have finally found common ground between these two, seemingly opposite, spectator sports. Clementi had to contend with Mozart’s ingenuity, Beethoven blew Steinbelt out of Vienna, and Handel sparred Scarlatti in a joust of fingers (ending in a draw where Handel took the honour for organ mastery—the instrument, not his liver—and Scarlatti reigned harpsichord supreme). Now, Igudesman & Joo prepare themselves to go head-to-head and put an end to the bull—for good.
In the right corner we have Korean/Japanese/Chinese piano prodigy Whay-Tsu Fast and in the left, Russian/American/Jewish/German/Spanish-speaking violin virtuoso Sergey Amadeus Showoff—but, in the feud as ancient as time itself to determine the superior instrument, who will emerge triumphant? Who will snatch victory and prevail as champion in this Clash of the Soloists? Who, with flying fingers and soaring melodies, will rise above as the greatest soloist of all time and claim eternal glory? Ladies and gentleman, now on the world’s greatest stages, let’s get ready to rumble!
In this savage duel between violin and piano, anything and everything goes—whether bribery or axes in the piano and even an evil maestro in disguise. Igudesman & Joo battle it out in their iconoclastic, spectacular, Szechuan-spicy style. They blaze through concertos with extraordinary dexterity and finesse that will keep audiences on the edge of their seats. A performance makes for an unforgettable, laugh-until-soda-comes-outof-your-nose performance that will leave listeners of all ages thirsting for more. Forget gladiators—this is blasphemy, this is madness, this is IGUDESMAN & JOO!
“Clash of the Soloists” was commissioned by the Zurich Tonhalle Orchestra to commemorate their 150th anniversary, and a world premiere performance by the orchestra with conductor, referee, and Maestro of Ceremonies, Joshua Weilerstein.
What others say
“A Little Nightmare Music brings surrealism to the concert hall and takes its trousers down! Very musical, very engaging and very funny. A Big Hand for A Little Nightmare Music’s Big Hands.“
“The incredible performance/workshop of Igudesman and Joo… was the best visiting educational experience that I have witnessed in my 31 years of teaching in public education.
Over 780 performing arts students… were exposed to musicianship, self-confidence building, kinesthetic learning, and different cultural perspectives that spoke to everyone in the auditorium at different and memorable levels.
… Thank you so much for letting us be a part of this wonderful event. You have touched many lives today, with your passion for music and the arts.“